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CONGRATULATIONS
TO HENRY HODGES (KID #1), CURRENTLY ON THE NATIONAL TOUR OF BEAUTY & THE
BEAST!
Joe Peck
currently appearing at Signature Theatre in "110 in the Shade,"
and as Roscoe in Signature Theatre 's upcoming "Follies"
My first fan
letter! Thanks Gracie! (sniff)

This page is
under construction but I have included what the critics said about
one of my films!
THE TRIANGLE
INDEPENDENT WEEKLY November 14, 2001
A League of Their Own
Women directors earn their own
local film showcase with the first annual
Ms. Films
festival
B Y D A V I D F E L L E R A T H
Think of a
film festival. Perhaps you conjured up Sundance, snow and Robert Redford,
or maybe you went with Cannes, sand and Jean Gabin. In any case, did women
come to mind? Uma Thurman? Bridget Bardot, perhaps? How about women
directors? Probably not, despite the successes of Agnes Varda, Lina
Wertmuller and Jane Campion. The fact is, film festivals tend to be pretty
much male affairs, intentionally or not.
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November 14, 2001 |
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A R T S F E A
T U R E |
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This weekend, however, right here in the
Triangle, there will be an opportunity to see a whole slate of films by
women. There won't be any sand or snow, and Uma won't show, but never
mind: The first annual Ms. Films festival will make its debut on Sunday,
Nov. 18, at the Carrboro ArtsCenter.
Showcasing a diverse array of narrative,
experimental and documentary films, Ms. Films: A Festival of Movies by
Independent Women will kick off at 2 p.m. with an afternoon of workshops
and panel discussions. After a dinner break, there will be a screening of
more than a dozen short films made by women from around the country. For
this inaugural festival, the offerings are fairly modest, with most of the
films coming from previous Flicker exhibitions in Los Angeles and
Carrboro. In the future, however, the organizers hope Ms. Films will turn
into a larger event, with a competitive film submission process.
The festival came into being last summer,
when Ron Royster of the ArtsCenter and Jim Haverkamp, a Durham filmmaker
and festival organizer, discovered a common interest in starting an event
that would promote the efforts of female moviemakers. Agreeing to get the
ball rolling, Haverkamp, who programs the popular bi-monthly Flicker
series next door at Cat's Cradle, assembled a strong program featuring
panels and presentations by local filmmakers. Los Angeles filmmaker and
Flicker founder Norwood Cheek helped to assemble the film lineup.
The cheapness and ease of digital
filmmaking will be on display at the film screenings that follow the
dinner break, including a mockumentary called The Web. Director and
UNC-Chapel Hill grad Katri Billard's hilarious five-minute film portrays a
man who picks up women on city buses, because it's cheaper than going to
bars. Also on tap for Sunday
night is a short with the exceedingly promising title, How to Make an
Oliver Stone Film. The film, directed by Mary Harron (I Shot Andy
Warhol, American Psycho), features film critic Elvis Mitchell,
and Andrea Richards confides that it's a doozy.
Unlike many festivals, there will be no
awards bestowed at Ms. Films (although there will be door prizes).
Instead, the goal is to nurture and support the creative efforts of female
film artists. As Richards notes, getting a film made is a long and lonely
battle, and getting it finished and screened is victory in itself. "I
respect anyone who gets out a film. It's like writing a book. It's an
enormous enterprise, and it's like, 'kudos to you, you got it done.'"
http://www.indyweek.com/durham/2001-11-14/ae3.html
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